Jura Distillery

You have to feel sorry for the Jura distillery. In terms of Scotch whisky’s regions, it is officially classified as Highland (sub set – Island), but when you think of the Island distilleries, names like Highland Park or Talisker seem to get most of the limelight and romance. Geographically, Jura may as well be Islay – and yet it isn’t, and it can’t claim or borrow Islay’s appeal. It therefore sits as a peculiar distillery, often off people’s radar. Until you taste it. And once you have, it won’t fly under your radar any more…

Continue reading “Jura Distillery”

Scoring whisky – does it really add up?

If you’re roughly my age and vintage (or older), it’s possible one of the earliest information resources you used to start your whisky journey was Michael Jackson’s “Malt Whisky Companion”.   First published in 1989, it was a book that took whisky writing to new heights for many reasons, but one of the more far-reaching elements it introduced was the concept of scoring whisky.   Each entry in the book would be given a score out of 100 and, suddenly, whisky readers had a point of reference and a measuring stick to judge one whisky over another.  So how do you score whisky ?

Continue reading “Scoring whisky – does it really add up?”

Glenmorangie Companta

Companta …if there’s one thing that gets hard-to-please whisky enthusiasts excited and eager in anticipation, it’s news of a new Glenmorangie release.  Even more so when the release in question is from the annual limited Private Edition range.  The Private Edition range has included such previous gems as Ealanta (Jim Murray’s World Whisky of the Year, 2014), Artein, and – my personal favourite – Sonnalta PX.

And so, not surprisingly, I was pretty keen and eager when I learned the latest instalment, Companta, had finally reached our shores.   After hearing so many wonderful things about it from some industry friends & colleagues whose palates I trust, I was delighted when I finally had a chance to taste this new expression.  I’d love to just hit you with my tasting notes and call it a day, but I wouldn’t be doing the whisky or the distillery justice if I didn’t give a bit of background information first.

First of all, let me put all my cards on the table and confess that I have quite a personal affinity for Glenmorangie.  I’ve visited the distillery many times; I’ve enjoyed pretty much every release they’ve put out; and I’ve spent some time with Dr Bill Lumsden over a meal or two to know what makes him tick.   But as someone who’s always at the coal face of tasting and critiquing whiskies for the purposes of SMWS imports, I can certainly be objective enough to know when a whisky is good or bad, regardless of its pedigree.  In this instance, make no mistake: Companta is a stunningly good whisky.

Glenmorangie is famous for many things and it’s hard to write about the distillery without making mention of them for the uninitiated.   Tucked away up in the Highlands, north of Inverness in the township of Tain, the distillery draws its water from the Tarlogie Springs; a very rare example of a Scottish distillery using hard water.  (Almost every other distillery uses soft water).   Glenmorangie features the tallest stills in Scotland, resulting in its famously light, fragrant, complex whisky.

Companta

However, where Glenmorangie has really broken from the pack in recent years is its wood regime.  With up to 60% of a whisky’s final flavour being influenced by the oak cask it matures in, the quality of the wood is critical, and Glenmorangie goes to great lengths to ensure a supply of top quality casks.  Its wood regime is legendary, as is the man behind the magic – the aforementioned Dr Bill Lumsden.  Whilst Glenmorangie can’t claim to have invented cask finishing (or extra maturing, as it’s often termed these days), they certainly excelled at it, and Dr Bill has been at the helm of enormous research into both wood science, cask preparation and treatment, and learning what casks can (and can’t) do.   Carrying the title of Glenmorangie’s “Director of Whisky Creation & Distilling”, he has tried all manner of experiments and exercises in finishing whiskies in casks that previously matured or seasoned some other wine or spirit.  Bourbon casks, sherry casks, wine casks, rum casks….the list is impressive.  And, bear in mind, the public only hears about and tastes the finishes that work.  Bill doesn’t mind sharing that plenty of experiments miss the mark…..or worse!

Glenmorangie Distillery, home to Companta
The Glenmorangie Distillery

But if you wanted an insight into just how complex and creative Dr Bill’s work can be, this Companta release illustrates it perfectly.  The whisky is a vatting (a combination, or assemblage) of two different extra maturation campaigns.   Firstly, Glenmorangie spirit that was happily maturing in traditional American white oak ex-bourbon barrels was transferred into casks that had previously held Grand Cru wine from Clos de Tart.  Secondly, another batch of spirit undergoing traditional ex-bourbon maturation was transferred into casks that had previously held a sweet, fortified wine from Côtes du Rhône.   After a suitable period of second maturation, these two campaigns were then combined (evidently taking many trials and attempts to get the balance just right) to create the magic that is Companta – the Scots Gaelic word for friendship.   

And so, finally, to my tasting notes:

Nose: Glenmorangie’s DNA is readily identifiable at the heart of the nose, but there’s plenty of new colour and decoration around the sides.  There are some rich fruits like currents, berry compote, and stewed plums to tempt and tantalise, as well as rhubarb and….toffee?  It’s one of those noses that offers you something new each time you go back to it.

Palate: Sweet toffee, butterscotch, dark chocolate and Cherry Ripe bars.  Honey drizzled on oats.  At 46% ABV and non-chillfiltered, the mouthfeel and texture is rich, soft and heavenly.  A hint of Highland heather smoke lilts around also.

Finish: More chocolate notes (choc custard?), and finally the malt has a chance to rear its head and remind you that this is whisky, not dessert.

Comments: Yet another shining light in the Glenmorangie stable, and a great example of what finishing in exotic casks can do when it’s done right.  I love that this offers all the staples of a good Glenmorangie dram, but then goes in other directions and broadens the spectrum to embrace more chocolate and fruit notes.  Amazingly and intensely complex and complete.  Well done (again), Dr Bill.

Companta is available now in all good liquor outlets around Australia, and has an RRP of $170.   Get it before it’s gone and enjoy one of the most unique and complex drams I’ve tasted for quite some time.

Cheers,
AD

PS: Whisky & Wisdom has reviewed other Glenmorangie releases in the Private Edition range.  You can read info on each bottling and our tasting notes for each release by clicking on the links below…

Tusail
Milsean
Bacalta
Spios

SMWS Whisky Dinner with Franz Scheurer & Brent Savage

Whisky dinners are a dime a dozen these days.

Actually, that’s not true…I concede they’re not that frequent, and they definitely cost more than a dime.  However, where they often become tiresome is that they are usually just no more than a regular dinner with some whiskies thrown into the equation – rarely with much thought (or expertise) being applied to match the two.

Anyone can match a whisky to a dish.  It’s relatively easy to taste a dish and then reach for your nearest whisky that vaguely shares commonalities.  The classics get wheeled out all the time – smoked salmon with Talisker; venison with Glenmorangie; Ardbeg with dark chocolate; etc.  Yawn.

Where real skill lies is to actually match the food to the whisky.  Did you catch the distinction?  Who out there can taste a whisky, and then go off and create or re-shape a dish that is built around the whisky’s flavours; builds or contrasts against the malt’s texture, depth, and alcohol; and then – most amazingly of all – create a pairing where the whisky improves the dish, and the dish improves the whisky?   I know of only one man who can do this.  And his name is Franz Scheurer. Continue reading “SMWS Whisky Dinner with Franz Scheurer & Brent Savage”

Lagavulin or Laphroaig – which is better?

It’s the question every Islay whisky fan asks themselves at some point in their whisky journey:  Laphroaig or Lagavulin – which one is better?  Is there a definitive answer?  Yes, there’s some juicy stuff we can explore over the next minute or two…

Continue reading “Lagavulin or Laphroaig – which is better?”

The Glenlivet Guardians Chapter Limited Edition

Fans of Glenlivet may recall a bit of noise in September last year when Ian Logan, International Brand Ambassador for Chivas Bros (Glenlivet, Chivas Regal, etc), flew into town to present a series of Masterclasses that were co-ordinated through Vintage Cellars.  Attendees were presented with three unique expressions of Glenlivet, aptly named Classic, Exotic, and Revival, and asked to vote for their favourite of the three.   The same exercise was undertaken in 36 other countries around the world, in order to find out which of the three would be the global hit.   A month or two ago, it was subsequently revealed that “Exotic” got the gong, evidently winning favour with the majority of tasters.  Personally, I was pretty chuffed with that outcome, as Exotic was certainly the expression that got my vote, and it was the hands-down winner in the session that I attended.

That same whisky – Exotic – has now been bottled and released as a Limited Edition, and launches this month in Australia, badged as “The Guardians’ Chapter“.   More about the whisky in a moment…

Continue reading “The Glenlivet Guardians Chapter Limited Edition”

Whisky fairs – from the other side of the table

Whisky enthusiasts in Australia (and the rest of the world!)  will no doubt be aware of the rise of various whisk(e)y fairs, expos, and shows being put on in various capital cities around the country.  From the original MWSoA Convention Expo in Canberra in 2003 (and its subsequent incarnations in Sydney, Melbourne and Adelaide in 2005, 2007, and 2013 respectively) to the emergence of Whisky Live in 2009 in Sydney and it subsequently becoming a capital city road show in more recent years; there are more shows around than ever before.  Sydney this year actually has three big shows – The Whisky Show, Whisky Live, and The Whisky Fair, in that order, respectively.

To those not familiar with the set up, such fairs & expos offer punters a tremendous opportunity to taste and experience a huge range of different whiskies.  Typically held in halls or function centre venues, local exhibitors and distributors all set up their own tables/stands and showcase their portfolio and range of whiskies for all and sundry to taste.   Imagine walking into a huge room and being confronted with anywhere between 50 and 200 different whiskies to taste at your own pace and discretion!  The phrase “kid in a lolly shop” is an apt comparison!

Continue reading “Whisky fairs – from the other side of the table”

Ardbeg Auriverdes

Ardbeg Day and Auriverdes 

Ardbeg. The very name conjures up evocative images, flavours, and pre-conceived ideas. For many, it means a big, peaty, smoky, Islay whisky. For others, it represents complexity, refinement, sweetness, and quality. Some link the name to the decline and downturn of the Scotch industry in the 1980’s, resulting in distillery closures and cutbacks. Many of those same folks also link the name to a Phoenix-like resurrection, given the distillery came back from the dead in 1997 and now struts the roost with style and finesse.

For me, it is all of those things, plus one more: Fun.

Continue reading “Ardbeg Auriverdes”

First blog – fresh off the stills?

So I’ve been writing about whisky professionally for over 10 years.  I’ve written for & been published in Whisky Magazine, Tumbler Magazine, Unfiltered, Australian Gourmet Traveller Wine magazine, and a dozen or so other printed mags and periodicals for numerous organisations (e.g. Virgin inflight mag, Seniors mag, etc).  And also other printed media, such as the Sydney Morning Herald.

I’ve also written about whisky for a tonne of other organisations’ or other people’s online or internet-based publications.  (e.g. Australian Gourmet Pages).

And, it goes without saying, I’ve written a thousand articles, reviews, profiles and distillery feature pieces for the Scotch Malt Whisky Society, both in print (e.g. Outturn, Unfiltered) and online.  (Well, maybe not a thousand but it sure feels like that).

But I’ve never created or written my own blog.  Until now.  I’m looking forward to this….for starters, it will be nice to use more than 140 characters, which is what Twitter has been reducing me to for the last few years! 😉

Looking forward to sharing all that I have in a new forum and outlet.

Cheers,
AD