Tag: Balvenie

An audience with Balvenie and David Stewart

Want to know about David Stewart and his role with Balvenie / William Grant and Sons?  Read on….

If you’re an employer or in charge of Human Resources, you’ll be aware of the dynamic and shifting nature of your workforce in recent years.  Being Generation X myself, it was drummed into me that you should show loyalty to your employer and stick around.  We were constantly told by the Baby Boomer generation above us that “your CV will look more impressive and you’ll be rewarded if you’ve demonstrated that you stay at the one place for five to ten years.”

This is in stark contrast to the Gen Y and Millenial approach, where the thinking seems to be that a CV littered with multiple positions and experience gained across a many different roles and jobs is the more attractive pursuit.

So with that as context, what do we make of an employee who sticks with his boss for 54 years?  What do we make of a role and a career that has outlasted many people’s lives, let alone most people’s professional undertakings?  Such is the story and the appeal of Mr David Stewart of Balvenie.

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Kininvie – The distillery emerges…

Like so many other aspects of the whiskysphere in recent years, there are entities or processes that have been around for a long time, but simply weren’t well known. The internet, combined with a booming market, have resulted in many industry secrets or hidden jewels coming to light.  Distilleries are one such example – if there wasn’t a commercial release available (or widely distributed) on the market, consumers simply didn’t know it existed.  Ailsa Bay, Inchgower, Allt-a-bhaine, etc, are all examples of distilleries that most whisky drinkers simply haven’t heard of, despite the fact they’ve been around for many years.   Kininvie is another example, although that’s now all changing, courtesy of its whiskies suddenly being thrust into the limelight.

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Whisky Live, Sydney – 2015

As outlined in previous posts (e.g. here) the emerald city of Sydney is blessed  to have three major whisky expo shows pass through each year.  June 26/27 was time for Whisky Live to take centre stage and yours truly went along as a paying customer to the opening Friday night session.

Whisky Live has been running in Sydney since 2009 and it’s the same, original organisers still at the helm.  For reasons none other than inconvenient timing or simply being out of town when the show rolled around, it had been a number of years (four?) since I last attended Whisky Live, so I was keen to see how the current incarnation played out.

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How wood you like that?

[Update:  Aspects of the below article are considerably expanded upon and covered in more detail in our comprehensive feature piece, “The complete guide to oak and whisky maturation” which we suggest you head straight to now and read here. ]

Whisky maturation is a complex process. You’ve doubtless heard or read the oft-accepted mantra that the spirit’s contact with the wood during maturation contributes as much as 60-70% to the whisky’s final flavour.

When it comes to playing around with wood and cask experimentation, few do it better than Glenmorangie.  Often credited with the innovation of “finishing” (although Balvenie may beg to differ), Glenmorangie was certainly the first to commercially release a range of whiskies where the whisky was matured primarily in one type of cask, and then given a second period of maturation in a different cask.    The “Port Wood” expression was one of my early favourites, having spent 10 years or so in bourbon wood, before being finished for 6-12 months in port pipes.

20 years on, finishing is so common now, it’s passé.   For some companies, it also makes economic sense:  Not every distillery can afford to invest in expensive sherry casks for a 12 year maturation, but some impressive results can be had by re-racking the whisky in first-fill sherry butts for just 6-12 months.  Not surprisingly, the results merge and marry the characteristics of the contributing parent casks, and any number of permutations and possibilities can be trialled.   Tired or non-performing whiskies can also be rescued:  For some distillers, finishing the spirit in a new or exotic cask can polish or breathe life into whisky that was flat or over-cooked.  We won’t name names, but a number of resurrected distilleries have had to do this to rescue tired casks that were inherited when the distillery’s ownership changed hands.

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Balvenie 14yo Caribbean Cask

Monday 28th July saw the official launch of the eagerly anticipated Balvenie 14yo Caribbean Cask expression in Australia.  Held at The Cuban Place / Parke Davis bar in York Street, Sydney, it saw a gathering of the usual suspects to enjoy what William Grant & Sons Australia do best:  Putting on a great whisky event.

Entering the venue, one was greeted immediately by a musical duo playing an intriguing & entertaining mix of songs on an electric guitar and a steel kettle drum!   But before you could quite work out whether you were hearing ABBA or La Bamba, the inimitable James Buntin, Balvenie Ambassador, was there to offer you a dram or a cocktail.  The cocktails – creations of the talented Dick Blanchard – were stylish, attractive, and…it must be said…dangerously more-ish.  But when you walk in the door and you’re handed a glass of Balvenie 21yo within two minutes of arriving, you know you’re at a good event.  The Doublewood 12yo & 17yo expressions were also on hand to try, making for a wonderful spectrum of Balvenie goodness.

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