Whisky opinions, articles, feature pieces, info and reviews.
Irish whiskey is continuing its rapid climb and resurgence. Just as we hear all about new distilleries opening in Scotland, so too are new ventures commencing in Ireland. In addition to new distilleries, we are also seeing new Irish bottlers and brands appearing hand-in-hand with the resurrected industry. Hyde whiskey forms part of that narrative.
Continue reading “Hyde Irish Whiskey & the 10yo President’s Cask”
Glenmorangie Milsean. If there’s one thing you can say about the whisky scene right now, it’s never dull or boring. Each week there is a new release, or a new launch, or another event, or another tasting, or yet another whisky being sold for an outrageous price. So, regardless of where you fit into the whisky audience, there’s always something to keep an eye out for.
In the rapid-fire and seemingly peak randomness of the above happenings, it’s nice to know that we can at least look forward to some annual constants. Things like an annual whisky show. (Whisky Show, Whisky Fair, Whisky Live, etc). Things like a brand’s big annual celebration. (Ardbeg Day). And, for our tastebuds, things like an annual release – such as Glenmorangie’s annual release of their latest Private Edition offering.
If you listen to enough drinkers who’ve been around a while, or read the writings of many in the whisky community, you might be led to believe that Scotch whisky being produced and released today is not as good as it used to be. Is whisky better or worse today than it was a decade or two ago?
Continue reading “Is whisky better or worse today than it was 20 years ago?”
Whisky and heavy metal? The late whisky writer, Michael Jackson, once compared a particular single malt to a car (e.g. “the Rolls-Royce of whisky”). Others have since compared certain single malts to particular Grand Cru wines. More recently, people have started writing tasting notes for whiskies and suggested various songs or bands to match and pair with the whisky. So, whisky and music is now a thing, right? Okay then, let’s take it one step further…
No one likes to admit it, but there was once a time when heavy metal music was actually commercially successful, and major record labels were falling over themselves trying to sign up hard rock acts. The genre is lampooned today, and often labelled dismissively as hair metal or glam metal. But, like me, you might be from that era when heavy metal artists were actually on top of all the charts and hair metal bands ruled the airwaves. But has anyone ever compared whisky and heavy metal artists? Or matched the two together? Perhaps now is the time. Get out the hair gel, put on your spandex, and take yourself back to the 1980’s… Continue reading “The 1980’s heavy metal music guide to whisky”
Sydney is spoiled for choice with a number of whisky expo-style shows running through town each year and May 15-16 saw The Whisky Show return to the Stamford Plaza hotel at Mascot to strut its stuff.
The Whisky Show offered three sessions; one on the Friday evening, and then 12noon-4.00pm and 5.00pm-9.00pm on the Saturday. Of course, the Saturday sessions coincided with World Whisky Day, so it was a fine opportunity to celebrate the occasion.
Ardbeg. The very name conjures up evocative images, flavours, and pre-conceived ideas. For many, it means a big, peaty, smoky, Islay whisky. For others, it represents complexity, refinement, sweetness, and quality. Some link the name to the decline and downturn of the Scotch industry in the 1980’s, resulting in distillery closures and cutbacks. Many of those same folks also link the name to a Phoenix-like resurrection, given the distillery came back from the dead in 1997 and now struts the roost with style and finesse.
For me, it is all of those things, plus one more: Fun.
Ardbeg is a fun brand. The distillery and its blending/creation team can produce some of the most refined, stylish, and unbelievably-good drams on the planet, but the brand has never become stuffy or weighed down under a Rolls Royce-like persona. Rather, Ardbeg presents itself as being fun, vibrant, innovative, inclusive, cheeky, and left-of-centre. If Ardbeg was a style or a fashion genre, it would definitely be a hipster! And its whiskies are all the more endearing as a result.
The good folks at Glenmorangie continue to explore new flavours and forge new paths in their pursuit of interesting and tasty whiskies. Well, I say “good folks”, but perhaps “the good doctor” would be more appropriate, as it is Dr Bill Lumsden who has once again pushed the boundaries and played around with the ingredients.
Whilst it would be easy to rest on their laurels and be satisfied with their core range aged expressions (The Original, 18yo, 25yo, etc) and the Extra-Matured set (Quinta Ruban, Lasanta, and Nectar d’Or), Glenmorangie continues to add to their portfolio with their Private Edition whiskies. These include releases such as Ealanta, Companta, Taghta, etc, and you can read Whisky & Wisdom’s reviews on these also. (Links further below). But let’s get to the point: Glenmorangie’s latest release and the new kid on the block is the Tusail. (Gaelic for originary)
[Update: Aspects of the below article are considerably expanded upon and covered in more detail in our comprehensive feature piece, “The complete guide to oak and whisky maturation” which we suggest you head straight to now and read here. ]
Whisky maturation is a complex process. You’ve doubtless heard or read the oft-accepted mantra that the spirit’s contact with the wood during maturation contributes as much as 60-70% to the whisky’s final flavour.
When it comes to playing around with wood and cask experimentation, few do it better than Glenmorangie. Often credited with the innovation of “finishing” (although Balvenie may beg to differ), Glenmorangie was certainly the first to commercially release a range of whiskies where the whisky was matured primarily in one type of cask, and then given a second period of maturation in a different cask. The “Port Wood” expression was one of my early favourites, having spent 10 years or so in bourbon wood, before being finished for 6-12 months in port pipes.
20 years on, finishing is so common now, it’s passé. For some companies, it also makes economic sense: Not every distillery can afford to invest in expensive sherry casks for a 12 year maturation, but some impressive results can be had by re-racking the whisky in first-fill sherry butts for just 6-12 months. Not surprisingly, the results merge and marry the characteristics of the contributing parent casks, and any number of permutations and possibilities can be trialled. Tired or non-performing whiskies can also be rescued: For some distillers, finishing the spirit in a new or exotic cask can polish or breathe life into whisky that was flat or over-cooked. We won’t name names, but a number of resurrected distilleries have had to do this to rescue tired casks that were inherited when the distillery’s ownership changed hands.
The latest (and very special) release from Glenmorangie had its first Australian outing on 17th October when Glenmorangie Taghta was showcased as the Welcome Dram at the Spring Tasting of the Scotch Malt Whisky Society in Sydney.
As attendees entered the room for the tasting evening, they were handed a dram of this deliciously-amber looking whisky, but were not told what it was. A short while later during the official welcome and introduction for the night, a quick straw poll was taken with the question, “Who liked this whisky?” Every hand in the room went up, and it was then that its identity and story was told.
Glenmorangie Taghta (pronounced too-tah) is being billed as a crowd-sourced whisky. It’s not all too dissimilar to what Glenlivet did with their Guardian’s release late last year. The difference on this occasion is that the crowd (the so-called “Cask Masters”) came from 30 different countries and participated in every part of the process: The bottle design, the labelling, the photography, and – most importantly of all – the selection of the whisky.
The growth and boom in the single malt industry in the last 15 years or so has given birth to the rise of the Whisky Nerd. The sort of person who knows (or thinks they know) every last detail about a distillery, or a particular bottling, or the latest industry gossip. They’ll be able to tell you which distilleries still use wormtubs; what year Laphroaig was founded; and – if you hand them a glass of anonymous whisky – they’ll sniff the glass and tell you which distillery it comes from; what its age is; and which warehouseman farted on the day the cask was filled.
They are the same people who can get very passionate if they hear you say something about whisky that they disagree with or believe to be incorrect. Fights have started and blood has been spilt over such simple opinions like which vintage release was the best ever Ardbeg! (Okay, readers, so was it the 1977 or 1974?)
So – if you’re the sort of person who likes to upset an OCD sufferer by visiting their house and tilting all of their hung pictures so that they’re crooked on the wall – here is a list of things you can say or do to annoy a Whisky Nerd:
